![]() ![]() Every expression captured tells a story every pose hints at adventure yet to unfold. Kent Gavin's expert photography immortalizes this press call with stunning detail and clarity. ![]() As part of the legendary James Bond franchise that has captivated generations since its inception in the 1960s, "A View to a Kill" promises thrilling action sequences and gripping espionage. These talented actors embody their characters effortlessly, bringing them to life on the silver screen for audiences around the world to enjoy. The atmosphere is electric as cameras flash incessantly, capturing this iconic moment forever. Her co-star Grace Jones mesmerizes us as May Day with her fierce presence and enigmatic allure. ![]() Tanya Roberts, portraying the elegant Stacey Sutton, stands tall with grace and poise, exuding both beauty and strength. On Thursday, August 16th, 1984, the cast and crew gathered amidst an air of excitement and anticipation. In this print from the 1984 James Bond film "A View to a Kill, " we are transported back in time to witness a momentous photocall outside The Chateau de Chantilly in France. It wraps up December 2nd at the Anthem in Washington, D.C., but a poster for the tour says it’s part of a worldwide trek lasting until 2024.Favorite A View to a Kill 1984 James Bond film, Photocall outside The Chateau de Chantilly inĪ View to a Kill 1984 James Bond film, Photocall outside The Chateau de Chantilly in France, Thursday 16th August 1984, Tanya Roberts as Stacey Sutton and Grace Jones as May Dayįor licensing enquiries please contact Memory LaneĪ View To A Kill Bond James Photo Call Photocall Press Call 1984 theater tour on November 2nd at the Riverside Theatre in Milwaukee, Wisconsin. Two weeks ago, a video for “Don’t Fell Apart on Me Tonight (Version 2)” was released that was shot around the same exact time as the “License to Kill Video.”ĭylan has been off the road since December 2019, but he kicks off a new U.S. ![]() I think they’re gonna get more expensive drugs.” Does that make sense? Is that supposed to be something that a person is supposed to get excited about? Is that progress? I don’t think they’re gonna get better drugs. Now they’re gonna put a space station up there, and it’s gonna cost, what - $600 billion, $700 billion? And who’s gonna benefit from it? Drug companies who are gonna be able to make better drugs. “What’s the purpose of going to the moon?” he asked. “License to Kill” contains one of the most baffling lines in Dylan’s Eighties catalog: “Man has invented his doom/First step was touching the moon.” In a 1984 interview with Rolling Stone‘s Kurt Loder, Dylan attempted to explain it. That was a reggae thing, and that’s a sound you’re never going to get totally away from.” “We just went with the natural way the drums were mic’d,” a source close to the Dylan Camp told Rolling Stone in July, explaining how they mostly got rid of the original drum sound. They are miming the rendition of “License to Kill” that appeared on the finished version of Infidels, but it’s been remixed to minimize the gated reverb drum sound and other Eighties production choices that have aged poorly. This was near the end of the six-week Infidels sessions and footage includes the entire band, including guitarist/producer Mark Knopfler, guitarist Mick Taylor, keyboardist Alan Clark, bassist Robbie Shakespeare, and drummer Sly Dunbar. The video was shot on April 30th, 1983 at the Power Station in New York City. 16 (1980-1985), a five-disc set that includes material recorded from 1981’s Shot of Love, 1983’s Infidels, and 1985’s Empire Burlesque. It’s tied to Springtime in New York: The Bootleg Series Vol. A new video for Bob Dylan‘s “License to Kill” has been released, featuring a new remix version of the 1983 original along with previously unseen footage from the Infidels sessions. ![]()
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